Set in post-World War II Rome, the movie opens with a pigeonholing of men waiting to hear what problems are available. The movies main vitrine is up for a job posting posters throughout the city, the barely glitch is that it requires a bike. He says he can hold unrivalled, with that he pawns his familys linens to acquire a wheel so that he can support them. During his first day on the job his bicycle is stolen. The movie progresses a few days spell the man and his young countersign comb the streets looking for the bicycle and the thief. He finds the thief, but without proof or witnesses they are ineffective to do anything. After wandering around without any luck, he and his son end up outside of a jammed soccer stadium with a sea of parked bicycles. In what becomes an agonizing decision he attempts to steal a bicycle but his caught while his young son looks on in pain.
Very moving, it seemed so real, kudos to de Sica. You really begin to heart the emotions of the characters later on the father returns home after his bike has been stolen. When he leftover he was so sound of confidence and pride, yet that one act of having his bike stolen almost destroys him.![]()
Watching his character leave out as the film progresses is phenomenally sad, how he begins to treat his son differently as the two of them search Rome for the bicycle.
One of the some other elements that I liked was the use more of a mahogany tone as opposed to Technicolor which was becoming very best-selling(predicate) at that time in cinematic history. This technique gave a grittier feel to the movie, gives the viewer more a post-war Rome feel to it. Making the viewer realize...
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